Tag: ACL Hall Of Fame Artist
-
Welcome to Groover’s Paradise
•
There isn’t one album that encompasses the Doug Sahm sound. That would be like defining the flavor of…
-
Stevie Ray Vaughan and Double Trouble’s Final Album
•
Stevie Ray Vaughan is the figurehead opposite Willie Nelson in the dichotomy of Austin music, with both men…
-
How Red Headed Stranger defined Willie Nelson’s career
•
Red Headed Stranger is the definitive album that established Willie as the cultural icon he is today. In…
-
Asleep at the Wheel are standard bearers of the Austin sound
•
Asleep at the Wheel have been standard-bearers of the eclectic Austin sound since they planted roots here in…
-
That time Trisha Yearwood released a Jazz album
•
Trisha Yearwood is best known for 90’s country anthems like She’s In Love with the Boy and XXX’s…

Recent Posts
- Kinky’s music is too important to be taken seriously
- Don’t let the lame-stream “intellectuals” convince you Alaska is larger than Texas
- We’ve been doing this longer than you’ve been alive, the Old 97’s reflect on the first twenty years
Social Media
Featured albums from the Listening Lounge

Read My Lips might be the purest example of Austin blues music available, and a statement album from one of the city’s biggest stars. Lou Ann Barton dominated the Austin Music Awards in the eighties. She won female vocalist of the year three times in five years before they gave up and put her in the hall of fame. Her voracious style was something legendary music journalist Margaret Moser liked to describe as “a voice that can peel chrome from a trailer hitch.”

Under the Double Ego was Kinky Friedman’s melancholic goodbye note to the music industry. It would be thirty-two eventful years before he recorded another studio album. When he recorded this one he was disillusioned and chose to work with the Austin based Sunrise label, despite their limited distribution network, rather than deal with corporate record executives. The album was produced locally by Sammy Allred (member of the Geezinslaws and long time radio personality who would eventually be included in the Texas Radio Hall of Fame.) The Texas Jewboys disbanded before the album was recorded leaving Kinky to assemble studio musicians from the crowded local talent pool, which included recruiting Chris O’Connell from Asleep at the Wheel fame.

On a cold February night in 1978 The Skunks played what is widely regarded as the first punk rock show in Austin, and for the next six years they continued to be a definitive presence. The three piece lineup evolved over the years, with bassist Jesse Sublett serving as the anchor. They pioneered a new sound leading acclaimed journalist Margaret Moser to declare, “In Austin’s punk rock history book, the Skunks are the first page.”
